Limerick Ladies National Football League opener to be streamed live ODEON Limerick is this week giving away one pair of tickets and two large combo meals for a film of your choice at their cinema at the Castletroy Shopping Centre.To be in with a chance, answer the following question and email your answer to [email protected] by 9am on Monday February 6.Sign up for the weekly Limerick Post newsletter Sign Up Who directed ‘T2 Trainspotting’?A. Danny BoyleB. Mike LeighC. Ken Loach Predictions on the future of learning discussed at Limerick Lifelong Learning Festival TAGScinemacompetitionlimerickOdeon CinemaOdeon LimerickT2 Trainspottingtrainspotting RELATED ARTICLESMORE FROM AUTHOR Previous articleLimerick victims of sex abuser seek justice in the DáilNext articleBruff Paralympian to be honoured at NUI Alan Jacqueshttp://www.limerickpost.ie NewsLocal NewsWin cinema ticketsBy Alan Jacques – February 3, 2017 898 WhatsApp WATCH: “Everyone is fighting so hard to get on” – Pat Ryan on competitive camogie squads Print Email Limerick Artist ‘Willzee’ releases new Music Video – “A Dream of Peace” Facebook Limerick’s National Camogie League double header to be streamed live Advertisement Twitter Linkedin Billy Lee names strong Limerick side to take on Wicklow in crucial Division 3 clash
Sign up for our COVID-19 newsletter to stay up-to-date on the latest coronavirus news throughout New York Nassau County District Attorney Kathleen Rice, who is running for Congress to replace Rep. Carolyn McCarthy, picked up a key endorsement at a church breakfast Monday morning from her June 24 Democratic primary opponent, Kevan Abrahams, the Nassau County Legislature’s Democratic Minority Leader.She will face Bruce Blakeman, a Republican, who had been the Nassau County Legislature’s Presiding Officer from 1996 to 1999.In the June primary for the 4th Congressional District, Rice had beaten Abrahams by almost 1,500 votes or 12 percentage points, while Blakeman defeated Frank Scaturro by 4,000 votes or 31 points. In November’s general election, Rice will be on the Working Families Party line, and Blakeman will also have the Conservative and Independence Party lines.According to recent campaign filings, Rice has $800,000 more on hand than Blakeman, with about $1.4 million compared to Blakeman’s $610,000. Rep. McCarthy is stepping down after serving nine terms representing a Nassau Congressional district where registered Democrats outnumber registered Republicans, 206,000 to 171,000 respectively, and 135,000 voters belong to a minor party or have no party affiliation.Abrahams and Rice appeared together in Uniondale at a monthly breakfast for local clergy.“I’m pleased to join Kathleen today and offer her my full support in her campaign to be the next congresswoman,” said Abrahams in a press statement. “Although we were opponents in the past, what matters now is that we have come together as allies focused on keeping this seat in progressive Democratic hands. I have the utmost respect for the work Kathleen has done for our community as district attorney, and I have no doubt that she will continue to fight for us in Washington. I’m excited to join her team as we prepare to take on the extremism of the Tea Party and Bruce Blakeman.”“Kevan’s a truly talented and dedicated community leader and I’m honored to have his support,” said Rice in a statement. “While we may have at one time been political opponents, there is far more that unites Kevan and me than divides us. I look forward to hitting the campaign trail with him at my side, and I can’t wait to work with Kevan in Washington as we fight to create more economic opportunity for our neighborhoods being left out of the nation’s financial recovery.”Asked to comment on the endorsement news, Blakeman said he felt fortunate the way it turned out.“I like Kevan Abrahams very much,” Blakeman told the Press. “I’m lucky I’m not running against him because my campaign people thought he was the stronger candidate.”He pointed out that his victory margin in the primary was more than Rice’s. “She just squeaked by,” Blakeman said. “Kathleen’s in trouble and she’s grasping for straws. Basically she knows that the vast majority of the people in the Fourth Congressional District want a change.”Blakeman said he has a “fundamental difference” on policy with both Abrahams and Rice because, unlike those two Democrats, he believes that “faith-based organizations, the synagogues and churches” of the district “do a better job of delivering services to the community than government…I’m looking forward to having a serious debate on that issue.”
Emily, of course, is also Spalding’s middle name.“Ebony and Ivy” was inspired by Craig Steven Wilder’s Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities.A 2006 report commissioned by Brown University revealed that institution’s complex and contested involvement in slavery–setting off a controversy that leapt from the ivory tower to make headlines across the country. But Brown’s troubling past was far from unique. In Ebony and Ivy, Craig Steven Wilder, a rising star in the profession of history, lays bare uncomfortable truths about race, slavery, and the American academy.Many of America’s revered colleges and universities–from Harvard, Yale, and Princeton to Rutgers, Williams College, and UNC–were soaked in the sweat, the tears, and sometimes the blood of people of color. Slavery funded colleges, built campuses, and paid the wages of professors. Enslaved Americans waited on faculty and students; academic leaders aggressively courted the support of slave owners and slave traders. Significantly, as Wilder shows, our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained them.Spalding is acutely aware of what she owes to jazz history, and to artists like Wayne Shorter, a pioneer of jazz fusion. Here’s her vocal tribute to Shorter at the Kennedy Center Honors in 2018, performing “Endangered Species.”In an earlier tribute to Shorter, Spalding picked up the bass guitar for this 2009 performance of that same composition on Austin City Limits. Which do you prefer?Spalding’s versatility can be seen in cross-genre collaborations—like this one with Grammy Award-winning pianist Robert Glasper.Spalding also engages in social activism offstage. She’s been an ambassador for the Innocence Project since 2018.A lot of Spalding’s music takes on a keen social consciousness. She dedicated Land of the Free to Innocence Project client Cornelius Dupree, who was exonerated after spending more than 30 years in prison for a crime he did not commit. (She performed at our 25th Anniversary celebration where she had a chance to meet Cornelius and his wife, Selma.) Spalding also made a video in 2013 titled We Are America about the prison in Guantanamo Bay and performed at the Peace Ball at the National Museum of African American History and Culture in Washington.It was great to see the birthday wishes for her roll in last month. May she be gifted with many more.I realize, dear readers, that there are many bassists whom I haven’t yet covered in this series. Join me in the comments for some of them, and feel free to post your favorites. And if you have some free time (or extra funds)—help us get Rev. Raphael Warnock and Jon Ossoff elected in Georgia! Never heard of Esperanza Spalding? Here’s a great introduction.The American Academy of Achievement has an extensive biography of Spalding, including several video interviews.Esperanza Spalding was born in Portland, Oregon. Her parents separated when she was very young, and her mother raised Esperanza and her brother on her own in King, a Portland neighborhood that suffered from poverty and violence in the years when Esperanza was growing up. Despite the family’s limited resources, Esperanza’s mother encouraged free thinking and creative expression for her children and exposed them to a variety of cultural influences.Esperanza fell in love with music at age four, after seeing the classical cellist Yo-Yo Ma perform on Mister Rogers’ Neighborhood. Too small to hold the cello, she took up the violin. After a few violin lessons she was able to practice and study on her own. Her progress on her first instrument was extraordinary. The Portland community provided a number of opportunities for young people to participate in music ensembles and young Esperanza took advantage of them all. At age five she was playing with the Chamber Music Society of Oregon.Over the next ten years, she learned guitar with her mother, taught herself piano, and experimented with the clarinet and oboe. By 15, she was concertmaster (lead violinist) with the Chamber Music Society and ready to pursue her original dream of playing the cello. By chance, she picked up an upright bass instead and fell in love with the giant of the string family. Even larger than the cello, the bass is usually the chosen instrument of tall men with long arms and big hands. At five-foot-six, Esperanza Spalding compensated for her smaller stature with an outsize talent and unrelenting commitment to music. She also took up the electric bass, and began writing songs, singing and leading a band in Portland rock clubs.- Advertisement – Spalding’s affinity with the bass has been on display to jazz fans from the time she released her debut album in 2006, Junjo, as Michael G. Nastos at All Music wrote at the time.The debut recording by acoustic upright bassist and vocalist Esperanza Spalding, a native of Portland, OR, residing in Boston, MA, is an exercise in joy and freedom. Well rendered for such a very young musician, it’s quite notable, considering the certainty of her concept and clarity of her vision. While steeped in contemporary jazz, there are Latin flavors, unabashed free moments, and some implied and direct swing. Further, it is an expression of her well-being, optimism, and future hope for her life in this music. Also in her peer group, pianist Aruan Ortiz and drummer Francisco Mela add a hundredfold to this music and establish themselves as leaders-to-be, and are quite capable partners for Spalding‘s wonderful sounds. The first piece, a take of the Jimmy Rowles evergreen “The Peacocks,” lets you know something special is going on. Spalding‘s bass leads out with the probing piano of Ortiz as wordless vocals and a modal jam all precede the melody, followed by a free section. The imagination quotient of this interpretation is off the charts.Listen to “The Peacocks” yourself, and you’ll find yourself agreeing with Nastos: There is something special going on.Yet despite becoming a professor at 20, and releasing her first album at 21, Spalding is quick to dismiss those who describe her as a prodigy, for one very clear reason.- Advertisement – xwell, this being over here is deep in study and conjure mode in the quietude self-quarantining. for those who might be interested, here’s some talkings about spells, music-gift-commodity relations and more…love to allhttps://t.co/jUZCF2LxMo pic.twitter.com/JlYWTt7Bni— esperanza spalding (@EspeSpalding) March 22, 2020Spalding is not just an instrumentalist; she is a gifted singer-songwriter as well. Nor is she locked into what people expect to hear from a “jazz artist.” She moves fluidly and freely between musical genres. NPR’s Lara Pellegrinelli wrote an effusive review of Spalding in back in 2018, going so far as to call her a “genius.”A favorite of the Obamas, Spalding performed “Overjoyed” at the White House in tribute to Stevie Wonder in 2009, sparking a relationship between the two artists. Prince invited her to jam, and she played on his BET Lifetime Achievement Award tribute and opened for him on tour in 2011. (When I saw the show, I couldn’t help checking out Questlove seated at the end of my aisle, his head bobbing to Spalding’s “I Know You Know.”) Radio Music Society featured a guest appearance by Lalah Hathaway; Q-Tip produced a pair of its tracks. Spalding appeared as a guest on Janelle Monáe’s 2013 album The Electric Lady and Bruno Mars’ 2012 Unorthodox Jukebox.These artists clearly acknowledge Spalding as a talented peer. The benefits of their creative exchanges may seem obvious to those outside of jazz, but they run contrary to jazz’s often elitist musical culture. They come at a time when the form has its sights set in the rearview mirror, when most young artists are “trying to sound like they peaked in 1942 or 1957,” says Carrington.Spalding, instead, has more in common with two of jazz’s greatest living composers: pianist Herbie Hancock and saxophonist Wayne Shorter, co-founder of the superband Weather Report. (Incidentally, Spalding is writing the libretto for Shorter’s opera Iphigenia, premiering in 2020.) Alumni of Miles Davis’ second great quintet, the two men pioneered fusion starting in the 1970s, walking paths that brought them to audiences for commercial music.Yes, Spalding is a fave of the Obamas. In 2009, she performed at President Barack Obama’s Nobel Peace Prize award ceremony.Here she is backstage at the White House in 2016. One of the things I miss the most about not having the Obamas in the White House? The amazing array of artists that they supported, Spalding among them.Here’s Spalding at the 2009 White House Poetry Jam.For Black History Month 2012, Spalding released this remarkable video for “Black Gold.”NPR offers some context.The Afro-centric implication of the title is no coincidence. The song was released yesterday, Feb. 1 — the first day of Black History Month. The video was premiered yesterday on a network called Black Entertainment Television. And to these ears, the music itself connects jazz aesthetics to sounds of black popular music today.In case that message wasn’t clear, Spalding wrote some commentary on the track for members of the press:This song is singing to our African American heritage before slavery. Over the decades, so much of the strength in the African American community has seeded from resistance and endurance. I wanted to address the part of our heritage spanning back to pre-colonial Africa and the elements of Black pride that draw from our connection to our ancestors in their own land. I particularly wanted to create something that spoke to young boys. In the interview below, Spalding talks about growing up in a rough neighborhood, and how important it was to have community programs in Portland that supported the arts. She shares memories of hearing Yo-Yo Ma for the first time, on public television, and on Mr. Rogers’ Neighborhood. Full video transcript here.In a 2008 interview with Nu-Soul Magazine, Spalding explained her unique choice of instrument.“Well, I didn’t really choose the bass, nor did I expect it to take me anywhere as I started studying it. I played many other instruments, well dabbled at them, but the bass had its own arc and it unfolded a path for me that I just kept following. I don’t know why or how, but my evolution on bass actually occurred quite naturally and unexpectedly. What would I do with any other instrument? That is kind of how I feel. The bass and I just resonate.”- Advertisement – The Brooklyn concert was a preview before a world tour that started this month showcasing her new album, which marks her evolution as a singer-songwriter. It is less overtly jazz-related than her four previous solo releases. She doesn’t play any acoustic bass or take solos.“Emily is a name for a process … when you sense that there’s something pent up that you haven’t been developing,” said Spalding, 31, said at a cafe near her Brooklyn home. “It sometimes takes an eruption to open that up and that’s a lot of what Emily does.” The lyrics are powerful:Think of all the strength you have in youFrom the blood you carry within youAncient manPowerful manBuilders of civilizationHold your head as high as you canHigh enough to see who you are, little manLife sometimes is cold and cruelBaby no one else will tell you so remember thatYou are Black Gold, Black GoldYou are Black GoldIn an interview with Yin & Yang, Spalding speaks briefly about her process when writing the song, and about Black identity writ large.She further reinforces her identity as a Black woman—a group for whom hair has historically been a key issue in the context of white society—in “How To (hair),” from her 2018 Grammy Award-winning album, 12 Little Spells. The final lyrics are potent.I raise my palm in praise of the symphonic nappynessHaloing your headI raise my palm in praise of the God-given nappynessHaloing your headI raise my palm in praise of the beautiful nappynessHaloing your headAs with “Black Gold,” the video is a powerful one!In 2016 Spalding went in a different direction, with the release of Emily’s D+Evolution, reviewed for the Philadelphia Tribune by jazz writer Charles J. Gans (who is also a Daily Kos contributor). Supported by her power rock trio of electric guitarist Matthew Stevens, drummer Jason Tyson and three yellow-clad backup singers-dancers, Spalding turned her Brooklyn show into performance art using such props as a stack of books on “Ebony and Ivy,” which alludes to the historic links between elite American universities and the slave trade. – Advertisement –
Metro Sport ReporterThursday 21 Mar 2019 9:15 pmShare this article via facebookShare this article via twitterShare this article via messengerShare this with Share this article via emailShare this article via flipboardCopy link98Shares Comment Lucas Torreira’s dad reveals he almost moved to Napoli prior to Arsenal switch Advertisement Lucas Torreira almost joined Napoli in the summer according to his father (Getty Images)Lucas Torreira’s father has revealed that his son was close to joining Napoli last summer only to end up signing for Arsenal instead.Arsenal will face Napoli in the Europa League quarter-finals next month and the Uruguayan is likely to be a prominent player in the tie having emerged as a key player for Unai Emery’s side since making a £22m move from Sampdoria after the World Cup.Torreira’s all-action displays in the middle of Arsenal’s midfield has endeared him to the club’s supporters while he has also popped up with the odd important goal including in the 4-2 win over Spurs in the north London derby back in December.AdvertisementAdvertisementHowever, according to his dad Ricardo, he almost stayed in Italy rather than moving to London as a deal with Napoli was ‘very close’.ADVERTISEMENTSpeaking to Radio Marte, Torreira senior said: ‘It’s true, Lucas was very close to Napoli. There were negotiations with Napoli, but something strange happened, and you know in the transfer market things can change from one moment to the next.More: FootballRio Ferdinand urges Ole Gunnar Solskjaer to drop Manchester United starChelsea defender Fikayo Tomori reveals why he made U-turn over transfer deadline day moveMikel Arteta rates Thomas Partey’s chances of making his Arsenal debut vs Man City‘Negotiations are long and complicated processes, so it can happen than they don’t go the way we expected. There was this opportunity to go to England and Lucas took it, so I have to say he is happy at Arsenal.‘Obviously, Lucas is very fond of Italian football, where he grew up, and might return to Italy in future. You can never say never, so it’s possible he could come back to this marvellous country and, why not to Napoli or another club that makes an offer?’Torreira started his professional career in Italy with Pescara whom he joined from Montevideo Wanderers in his homeland before moving to Sampdoria in 2015. The 23-year-old spent a season on loan at Pescara before establishing himself at Sampdoria in the 2016-17 season.Napoli are regarded as slight favourites to triumph over Arsenal in the Europa League quarter-finals after dropping down from the Champions League while they are currently second only to Juventus in the Serie A table.More: Arsenal FCArsenal flop Denis Suarez delivers verdict on Thomas Partey and Lucas Torreira movesThomas Partey debut? Ian Wright picks his Arsenal starting XI vs Manchester CityArsene Wenger explains why Mikel Arteta is ‘lucky’ to be managing Arsenal Advertisement
Chelsea can keep improving after winning the Premier League title and will try to retain their best players, says manager Antonio Conte.The Blues became champions of England for a sixth time with a 1-0 victory over West Brom on Friday.Conte, 47, has been linked with the vacant Inter Milan job, while there is speculation over the future of striker Diego Costa and playmaker Eden Hazard.”If you can continue with these players you can improve a lot,” said Conte.The former Juventus and Italy boss led Chelsea, who finished 10th last year, to the title in his first season in charge.Reports in Italy suggest Chinese-backed Serie A club Inter are prepared to offer Conte £250,000 a week if he leaves Stamford Bridge one season into a three-year deal. The Italian said he and his squad had only “started to do our work”.”Now they know my idea, I know them, the characteristics of my players, and we can improve,” he added.Belgium international Hazard, 26, has been linked with Real Madrid, while Spain forward Costa, 28, was left out of a game at Leicester in January after a disagreement with a fitness coach, amid widespread reports of interest from Chinese clubs.”The club want to fight to win every competition – we have the same ambition,” said Conte.”For this reason we try to keep the best players.” Chelsea have two Premier League fixtures remaining – against Watford and Sunderland – before facing Arsenal in the FA Cup final at Wembley on 27 May.Conte’s speculation ‘more rumours than reality’Guus Hiddink took interim charge of Chelsea last season, with the club 16th in the Premier League and one point above the relegation zone following the departure of manger Jose Mourinho.The Dutchman, who led the side to a 10th-place finish, met with Conte at the end of that season.Hiddink described the Italian as “a man who had already achieved a lot before he came to Chelsea” and that winning the title was a “confirmation of his attitude, professionalism and energy”.On speculation linking Conte with a move to Italy, Hiddink told BBC Radio 5 live’s Sportsweek: “There are always rumours coming up but I think the club is very stable. It is a huge club to work for, perfect circumstances and very ambitious people everywhere. “It’s more rumour than reality.”Former England and Arsenal striker Ian Wright: “The way he has got players playing, Victor Moses, Willian etc is incredible – he’s kept the whole squad happy.”There’s been no red cards, discipline has been very good, and the amount of consistency through not changing players so often has kept the players together.”Conte has also got that assured calmness – not so much on the pitch but behind the scenes.”Former England and Newcastle striker Alan Shearer: “Antonio Conte’s passion and enthusiasm has filtered down to all his players all season. “The big change was the shift in the system after they lost to Liverpool and were beaten 3-0 by Arsenal at the Emirates. They were playing four at the back and it wasn’t working at all so he had to do something.”They went to a back three, changed a couple of players, and then won 13 games on the spin, which was an incredible turnaround for a team that had struggled.”They’ve certainly benefited without being in Europe by making only 38 line-up changes, the fewest in the league, so they’ve used that to their advantage.”There is a case for mentioning all their players but I’ve got to pick out Cesar Azpilicueta, who has played every minute of every league game and turned in an eight or nine out of 10 performance every time.”
OCEANPORT – New Jersey Library Association (NJLA) officials presented $1,942 checks to three Monmouth County libraries – Oceanport, Sea Bright and Monmouth Beach – that were damaged last year during Super Storm Sandy.During a ceremony at the Oceanport Library last month, NJLA Executive Director Patricia Tumulty and NJLA President Eileen Palmer gave the checks to Monmouth County library officials, including Freeholder Lillian G. Burry, library liaison, and Monmouth County Library Commission Chair Renee B. Swartz.Monmouth County Library Board Chairwoman Renee B. Swartz, Freeholder Lillian Burry, Oceanport Branch Manager Katie Kenny, Sea Bright Library Director Joan Walsh and Monmouth Beach Library Director Judith Bakos.“We are touched by all the people who donated to our libraries damaged by Sandy, and we thank them for their generosity,” Burry said. “We all know how much the residents in Sea Bright, Monmouth Beach and Oceanport value their libraries, and the money will be put to good use.”Burry noted that many of the Monmouth County library branches and member libraries were able to act as “ports in the storm” during Sandy, offering residents a warm and dry refuge with a place to charge their electronic devices and use public computers.Swartz emphasized the Monmouth County library’s increasing role in the community. “Hurricane Sandy was yet another example of how the library in recent years has evolved and expanded, so that the library now functions as a true community center for residents,” Swartz saud.Palmer said the NJLA received calls from people all over the country – and from as far away as Scotland – who wished to help New Jersey libraries damaged by Super Storm Sandy. As a result, the NJLA took in more than $13,000 in donations and formed the Save Our New Jersey Libraries fund, according to Tumulty.The money raised is being equally distributed to the seven libraries throughout the state that were damaged by the storm. Each library will receive $1,942.Oceanport branch manager Katie Kenny, Monmouth Beach Library director Judith Bakos and Sea Bright Library director Joan Walsh accepted the checks.The Oceanport Library, which was flooded with almost 2 feet of water from the Shrewsbury River during Sandy, was closed for renovation for almost nine months, and reopened on July 1.The library on Ocean Avenue in Sea Bright was severely damaged by the storm’s tidal surge, but borough officials are currently renovating the building.The Monmouth Beach Library is now operating out of a room in the Monmouth Beach Borough Hall until a decision is more about a permanent placement.
All the goals have been scored in the second stanza as each team traded goals in the opening ten minutes of play before Massimo scored at 12:46 to put Canada Black up 3-2. The winner of this game finishes in seventh. FORT ST. JOHN, B.C. – Russia snuck past the Fin’s 5-4 on Friday afternoon at the North Peace Arena in placement action.The Russian’s got on the board first thanks to Ilya Safonov who was set up by Sergei Alkhimov and Matvey Guskov at 8:39 of the first. Egor Afanasyev made it 2-0 after a great individual effort at 17:08 of the first frame.The Fin’s cut the lead in half courtesy Anton Lundell 1:34 into the middle stanza after finishing a play between him and Santeri Hatakka. Antti Saarela tied the score at 2-2 just before the halfway point of the second period. Patrick Puistola had the lone assist. The Russian’s took the lead back at 15:00 after Danilla Khulapov found the net after being set up by Egor Afanasyev and Aleksei Goriachev. Ilya Nikolaev made it 4-2 2:59 later. Daniil Gutik and Vasily Podkolzin were the setup duo. Russia skated into the second intermission with a 4-2 lead.- Advertisement -Finland got it to 4-3 1:44 in the period after Kalle Loponen scored on the powerplay. Antti Saarela and Henri Nikkanen had the helpers. Russia restored the two-goal lead to 5-3 almost six minutes later thanks to Matvey Guskov’s second point of the game. Sergei Alkhimov had the lone assist. A minute and four seconds after that Oskari Oksanen made it a one-goal game at 5-4 for Russia. Anton Lindell had the lone helper on the fourth Finnish tally.Goaltenders for Russia and Finland faced a total of 66 shots.In Dawson Creek, Team Canada Black beat the Swedes 4-2 in their placement game.Advertisement